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greek-rhetoricfeatured in 40 works

Ethos, Pathos, Logos

Aristotle's anatomy of persuasion: win through your character (ethos), through the audience's feelings (pathos), and through the argument itself (logos).

Ethos, pathos, and logos are the three 'modes of persuasion' (pisteis) Aristotle identified in his Rhetoric in the 4th century BCE. A speaker persuades through the credibility of his own character (ethos), through the emotions he stirs in the audience (pathos), and through the reasoning of the speech itself (logos). This compact triad has organized the teaching of rhetoric and communication from antiquity right down to the present day.

How it traveled

  1. History of the Peloponnesian War
    Athens · -400
    explains
  2. Panegyricus
    Athens · -380
    explains
  3. Phaedrus
    Athens · -370
    explains
  4. Against Aphobus III
    Athens · -362
    explains
  5. Exordia
    Athens · -349
    explains
  6. To Philip
    Athens · -346
    explains
  7. Against Timarchus
    Athens · -346
    explains
  8. On the False Embassy
    Athens · -343
    explains
  9. On the Embassy
    Athens · -343
    explains
  10. Antidosis
    Athens · -338
    explains
  11. Rhetoric
    Chalcis · -335
    explains
  12. On the Crown
    Athens · -330
    explains
  13. Against Meidias
    Athens · -322
    explains
  14. Against Stephanus I
    Athens · -322
    applies
  15. Histories
    Megalopolis · -118
    explains
  16. De Inventione
    Formiae · -84
    explains
  17. Pro S. Roscio Amerino
    Formiae · -80
    explains
  18. In C. Verrem
    Formiae · -70
    explains
  19. Pro A. Cluentio
    Formiae · -66
    explains
  20. Pro Archia Poeta
    Formiae · -62
    explains
  21. Pro L. Flacco
    Formiae · -59
    explains
  22. On Oratory
    Formiae · -55
    explains
  23. Brutus
    Formiae · -46
    explains
  24. Orator
    Formiae · -46
    explains
  25. Partitiones Oratoriae
    Formiae · -43
    explains
  26. Ars Amatoria
    Tomis (Constanța) · -1
    explains
  27. Institutio Oratoria
    Rome · 95
    explains
  28. Quaestiones Convivales
    Chaeronea · 120
    explains
  29. Demosthenes
    Chaeronea · 120
    explains
  30. Civil Wars
    Alexandria · 165
    explains
  31. Noctes Atticae
    Rome · 180
    explains
  32. Deipnosophistae
    Naucratis · 230
    explains
  33. Historia Romana
    Rome
    explains
  34. Ars rhetorica [attributed]
    explains
  35. In Aristotelis artem rhetoricam commentarium
    explains
  36. Historical Library
    Syracuse (Sicily)
    explains
  37. The Jewish War
    explains
  38. Jewish Antiquities
    explains
  39. De Demosthenis dictione
    Rome
    explains
  40. Ars Poetica
    Rome
    explains

Key passages(20)

Fragments & Testimonia · Aristotle

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In Aristotelis artem rhetoricam commentarium · Anonymi in Aristotelis Artem Rhetoricam

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In Aristotelis artem rhetoricam commentarium · Anonymi in Aristotelis Artem Rhetoricam

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Now the proofs furnished by the speech are of three kinds. The first depends upon the moral character of the speaker, the second upon putting the hearer into a certain frame of mind, the third upon th

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The orator persuades by moral character when his speech is delivered in such a manner as to render him worthy of confidence; for we feel confidence in a greater degree and more readily in persons of w

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For it makes a great difference with regard to producing conviction—especially in demonstrative, and, next to this, in forensic oratory—that the speaker should show himself to be possessed of certain

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For the orator to produce conviction three qualities are necessary; for, independently of demonstrations, the things which induce belief are three in number. These qualities are good sense, virtue, an

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For either through want of sense they form incorrect opinions, or, if their opinions are correct, through viciousness they do not say what they think, or, if they are sensible and good, they lack good

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There are three things which require special attention in regard to speech: first, the sources of proofs; secondly, style; and thirdly, the arrangement of the parts of the speech. We have already spok

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De Lysia · Dionysius of Halicarnassus

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Praecepta gerendae reipublicae · Plutarch

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However, we should not on this account neglect the charm and power of eloquence and ascribe everything to virtue, but, considering oratory to be, not the creator of persuasion but certainly its cowork

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Institutio Oratoria · Quintilian

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There are also three aims which the orator must always have in view; he must instruct, move and charm his hearers. This is a clearer division than that made by those who divide the task of oratory int

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Institutio Oratoria · Quintilian

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Indeed I would add that pathos and ethos are sometimes of the same nature, differing only in degree; love for instance comes under the head of pathos, affection of ethos; sometimes however they differ

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